- Human
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- Nov 07, 2020
Tanya Saracho Quotes
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- Last Updated on May 30, 2021
- Always
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- Nov 07, 2020
I always was missing that female brown queer perspective, and I think in 'Vida' we have that. A lot of things I wanted to touch on and deal with, I get to do here.
- Our
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- Nov 07, 2020
When you get a bunch of Latinxs together, we get to handle our stories. A cultural shorthand happens.
- Lose
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- Nov 07, 2020
I have 16 plays, and we don't ever do subtitles. You can't do subtitles in the theater, so I was like, 'I'm not gonna do subtitles.' You'll never lose the story. There might be a little joke that you might miss, but you'll never miss the story, even in the Spanglish of it.
- Opportunity
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- Nov 07, 2020
I feel like a lot of us have a story to tell, it's just that we don't get the platform or the access or the opportunity. I don't know how the goddesses and gods and the stars aligned. I got the opportunity, and I do have to note that a Hispanic woman gave me that opportunity.
- Live
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- Nov 07, 2020
I had never heard this term before - gente-fication - which is also happening in Portland, Houston; it's happening in a lot of cities. It's upwardly mobile Latinx who want to come back to their neighborhoods where they grew up - or it's Latinx moving to L.A. and looking for a Latinx neighborhood to live or open a business.
- Culture
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- Nov 07, 2020
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
- Learning
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- Nov 07, 2020
I was a playwright who was still learning the ropes when Starz took a chance on me to create and showrun 'Vida.' They nurtured and supported me during every step of the strenuous process, and that is a debt that cannot be repaid.
- Never
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- Nov 07, 2020
No one guided me through it, but here is how it happened: I was in New York doing a play, and an agent got in touch with me and said he wanted to take me out for lunch. In the theatre, they never want to take you out for lunch, so I thought, 'Yes!' I went, I ordered steak, and he told me he thought I should write for TV.
- Big Thing
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- Nov 07, 2020
In TV, you're a 'writer for hire.' That means you're trying to guess what your boss wants and delivering that story. There's a lot of spitballing. The big thing is 'breaking story,' which means coming up with a story. You do it by episode and put it all up on a board.
- Long
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- Nov 07, 2020
You're on set more when you produce an episode, and it's long hours, but you learn so much.
- Tell
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- Nov 07, 2020
In lots of ways, I've been trying to tell stories this way since I started writing plays: a female-centered story with queer, Latinx gaze.
- Every Day
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- Nov 07, 2020
I am so homesick every day of the week.
- Just
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- Nov 07, 2020
I don't think that 'Vida' is just for Latinos. I don't think 'One Day at a Time''s just for Latinos.
- Culture
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- Nov 07, 2020
Sometimes people of color walk into these spaces that are dominated by the dominant culture, and we have to be better, not make as much trouble.
- City
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- Nov 07, 2020
I adore 'Broad City,' but the one Latino is queer for jokes. You see queerness of Latinos in this emasculated with an accent or fez on a set '70s show. It's always like, 'Ha, ha, funny emasculated immigrants.'
- Media
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- Nov 07, 2020
A lot of the time, because we don't have many Latinx scenarios on the landscape, not just in television or film and other media, we haven't gotten the chance to tell our story from our point of view.
- Hayek
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- Nov 07, 2020