- Culture
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- Nov 07, 2020
Stephen Hunter Quotes
Most Famous Stephen Hunter Quotes of All Time!
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- Last Updated on May 30, 2021
- Everything
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- Nov 07, 2020
'Memoirs of a Geisha' is everything you'd expect it to be: beautiful, mesmerizing, tasteful, Japanese. It's just not very hot.
- Eccentricities
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- Nov 07, 2020
Even my pathological love of Japan and its beauties, glories and eccentricities is sorely tested by 'The Grudge 2,' from Takashi Shimizu, a movie so bewildering and impenetrable that I believe it siphoned off a good 40 IQ points.
- Love
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- Nov 07, 2020
I never feel so utterly fraudulent as when I review a movie whose charms impress all in the world and I simply do not get it. The other variant is that I love something the world disdains. This has had severe career consequences: I am still famous - or notorious - in certain quarters where I am recalled as the man who liked 'Hudson Hawk.'
- Me
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- Nov 07, 2020
I have never connected with 'Gone With the Wind.' 'Lawrence of Arabia' leaves me cold.
- Man
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- Nov 07, 2020
Now, I am about to be nailed as the man who disliked 'Howl's Moving Castle.' Lord, give me strength! Also, IT, please disconnect the e-mail thing.
- Age
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- Nov 07, 2020
'Pearl Harbor' is definitely about December 7, 1941, but it is not of December 7, 1941. It's not even really of our age, either. It has more of the feel of a film from, roughly, mid-war.
- Past
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- Nov 07, 2020
As long as 'Pearl Harbor' stays in the past, it's perfect; when it wretchedly changes gears in the late going, it becomes the wrong kind of same old story: Hollywood stupidity and callowness, writ large across the sky.
- Build
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- Nov 07, 2020
The Japanese, despite the trade deficit and their ability to build fabulous automobiles, still think that a guy in a monster suit is all that is needed for a monster movie.
- Conjure
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- Nov 07, 2020
In 'Beowulf,' director Robert Zemeckis uses a technique called 'motion capture' to conjure fantastical things, angles into action and sweeping vistas to stun your eyes and take your breath away. But what he hasn't mastered and what the technique can't do is this: emotion capture.
- City
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- Nov 07, 2020
The horror movie will not go away. Look at the change in the Hollywood landscape as a signifier of its durability. At one point it was just one of many styles of films called 'product' that between, say, 1930 and 1970, the movie city ground out like sausages or hula hoops at a rate of four or five a week.
- New
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- Nov 07, 2020
'New' movies are almost always hipper, faster, they mix genres aggressively, they smother their genre origins in new form, there are fewer of them, and they tend to cost a lot more money because you usually make more money on the megahit than you do on the steady progression of break-eveners. Except for the horror movie.
- Headaches
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- Nov 07, 2020
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.
- Day
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- Nov 07, 2020
Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman.
- More
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- Nov 07, 2020
By my count, of the more than 600 English-language World War II movies made since 1940, only four have even acknowledged the humanity of the soldiers of Nippon. There may be a few I've missed, but not many.
- Evil
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- Nov 07, 2020
By the '50s and '60s, war movies had become big and impersonal. They almost never bothered to characterize the Japanese enemy as particularly evil; in fact, they never bothered to characterize him at all.
- Dance
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- Nov 07, 2020
'Shall We Dance?' takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good big, stupid American movie.
- Comedy
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- Nov 07, 2020
The prospects for a coherent, hilarious and consistent American comedy seem to lessen every year, as the poor waterlogged, gassy corpse called 'Evan Almighty' proved when it floated ashore recently. So there's a temptation to think too highly of Robin Williams's uneven but occasionally funny 'License to Wed.'
- Make
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- Nov 07, 2020
If you have only 95 minutes of material, make an only 95-minute movie. Amazing how often that's forgotten.
- Crammed
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- Nov 07, 2020
I grew up in the suburbs among highly educated people, in a house crammed with books. It was a culture rich in ideas, stimulation, entertainment, and mental activity, all helpful to the nurture of an imaginative child who wanted from an early age to be a writer.
- Father
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- Nov 07, 2020