- Hardest Thing
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- Nov 07, 2020
Reed Morano Quotes
Most Famous Reed Morano Quotes of All Time!
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- Last Updated on May 30, 2021
- More
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- Nov 07, 2020
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
- Freaked
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- Nov 07, 2020
I read it in college as an assignment. I didn't think about it at the time. But when I heard there was a 'The Handmaid's Tale' pilot, I freaked out.
- Always
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- Nov 07, 2020
As a cinematographer or director, I'm always looking for projects that are able to say a lot with the actor's expressions.
- Lot
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- Nov 07, 2020
A lot of TV and film commits to one tone.
- Never
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- Nov 07, 2020
When you work as a cinematographer, the actors look to you for reassurance. When you're lighting them, they can never think you're making an adjustment because of the way they look. If they are nervous, it impacts their performance, which impacts the story.
- Got
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- Nov 07, 2020
Being a cinematographer taught me a lot. I got to expedite the visions of many directors and learned how to navigate many styles and worlds.
- Correction
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- Nov 07, 2020
Color correction is one of my things.
- Most
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- Nov 07, 2020
When I was an undergraduate in Film & TV at NYU/Tisch School of the Arts, most of the projects I shot had male directors, and only a few had female directors.
- Key
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- Nov 07, 2020
After graduating, I was shooting as well as working as a key grip, and I often found myself the only female out of the whole crew, except for producers and the occasional AC.
- Me
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- Nov 07, 2020
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
- Gripping
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- Nov 07, 2020
I learned a lot while I was ACing and gripping for other DPs as I was coming up.
- Focus
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- Nov 07, 2020
I was in film school as an undergrad with a focus on directing. Once I started working on shoots, I realized, 'Oh, I really like this cinematography thing.'
- He
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- Nov 07, 2020
The first director who ever allowed me to shoot a film for him was a male. He was a gay male. My first feature also came from him. I worked for a lot of dudes at NYU.
- People
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- Nov 07, 2020
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
- Me
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- Nov 07, 2020