- Nov 07, 2020
Panos Cosmatos Quotes
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- Last Updated on May 30, 2021
- Beginning
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- Nov 07, 2020
My goal from the very beginning was to make very visually lush, juicy films that you can really sink your teeth into. That's always been part of my modus operandi.
- Art
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- Nov 07, 2020
I've always liked the idea of merging esoteric art cinema with down-and-dirty exploitation films.
- Loss
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- Nov 07, 2020
I was, like, 'I really wanna see an Eric Rohmer movie take place in a Bert I. Gordon universe.' Where there's a story going on that's about, you know, loss and desire, but with a giganticized-animal element.
- Me
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- Nov 07, 2020
I'd been drifting and in a very self-destructive bent ever since my mother died and as soon as I dealt with the grief, for the first time in 10 years, I had clarity and I realized: 'I need to make a movie, now, cause if I don't make it now, I might never do it.' That's what pushed me forward, and I immediately moved to Vancouver.
- Past
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- Nov 07, 2020
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
- Death
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- Nov 07, 2020
Just making 'Black Rainbow' was like my minimum requirement before death, so that I could die with some honour and not in total shame.
- Night
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- Nov 07, 2020
In the night there's sometimes a sort of cursed quality to the Pacific Northwest.
- Light
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- Nov 07, 2020
I feel like I thrive in the red light.
- Light
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- Nov 07, 2020
There was a time in my life when I would literally go see every single film that came out in the theaters. No matter what. I just became obsessed with movies, and wound up getting drawn to the pulsating grain of film and the flickering of the light.
- Feel Good
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- Nov 07, 2020
I'm too neurotic to ever feel good. If I ever felt good, I think something horrible would happen.
- Like
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- Nov 07, 2020
Well, when I was really young and we lived in Sweden, the only films that were around at that point were... We had this collection of these super-8 highlight reels that they used to sell; like, they sold these super-8 reels that only had the best parts from a movie. So early on that's what I was seeing.
- Music
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- Nov 07, 2020
A huge part of my writing process is listening to music as I write, almost creating an unofficial soundtrack to the film I'm working on, a sort of playlist. But the specific songs change rapidly as I write.
- Me
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- Nov 07, 2020
The idea of creating a quote-unquote 'retro' world isn't all that appealing to me by itself.
- Little
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- Nov 07, 2020
I guess a little bit of delusion can go a long way.
- Emotion
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- Nov 07, 2020
Mandy' came from grief and depression. I wanted this to be an outward volcanic expulsion of the emotion of my first film.
- Mistake
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- Nov 07, 2020
A lot of films mistake convolutedness for complexity. To me, a simple story can be a powerful spine to build around.
- Face
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- Nov 07, 2020
My mother died in 1997 and I spiralled into this self-destructive vortex of trying to annihilate my consciousness. I was afraid to face the grief of losing her, because she was somebody I loved more than anybody else in the world.
- Nov 07, 2020
Mythologies are violent things, and to be true to them, you have to go to primal territory.
- Nov 07, 2020
I don't know anybody who goes horseback riding at sunset, but everybody watches TV and eats.
- Know
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- Nov 07, 2020
I don't know if I'm a sequels kind of person. I prefer each film to have its own unique identity.
- Earth
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- Nov 07, 2020
The last thing on earth I wanted to do was make a movie that plays directly to a sort-of frat boy audience, you know?
- Feel
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- Nov 07, 2020
I feel happy working in the low-budget realm, doing stuff that is a little bit more esoteric, and personal.
- Like
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- Nov 07, 2020
In the '90s, I kind of put aside all those things I loved in the '80s and I got really into watching foreign films and art films and stuff like that, and sort of soaking those up.
- Experience
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- Nov 07, 2020
When you're working with an actor who's prepared and brings it when you need it, it's just a very validating creative experience.
- Control
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- Nov 07, 2020
Black Rainbow' is about control and your emotions being repressed and controlled, and 'Mandy's' about all a volcanic eruption!
- Love
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- Nov 07, 2020
Well, I think if you're telling a story, a three act structure will just naturally emerge out of it. But I also love it when a film doesn't feel like it's anchored too rigidly to that structure and you feel like anything could happen.
- Love
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- Nov 07, 2020
Well, I think it's important to have some kind of a narrative engine that pushes the audience through the landscape. But I love films like 'Apocalypse Now,' which is a very mood driven film. It's a magnetic force that's pulling them through.
- Light
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- Nov 07, 2020
I just love sitting in a theater watching a film and the grain is like boiling and it feels completely alive like an organism almost; like an organism made out of light.
- Myself
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- Nov 07, 2020
Well I don't think of myself as like a horror or science fiction filmmaker. I just think of myself as a filmmaker.
- Future
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- Nov 07, 2020
When I was growing up in the eighties, there was a real nostalgic streak for the fifties. Look at 'Back to the Future.'
- Dangerous
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- Nov 07, 2020
The male ego is a terrifying, terrifying thing, you know? If it's shattered, it becomes even more dangerous.
- Man
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- Nov 07, 2020
I just find there's nothing funnier and more scary than a delusional man who thinks they're the center of the universe, and in fact they're not.
- Feel
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- Nov 07, 2020
I might actually be allergic to testosterone. Whenever I've felt a testosterone rush I get, like, sick afterwards, and I feel exhausted and terrible.
- Nov 07, 2020
The way people express themselves online, that's also how they express themselves in the real world.
- My Own
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- Nov 07, 2020
I taught myself filmmaking on my own.
- Home
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- Nov 07, 2020
We moved around a lot when I was younger. I never really felt at home until we moved to Canada, but even then, I always felt strangely out of place and alien.
- Heavy Metal
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- Nov 07, 2020
When I was a kid, I was obsessed with heavy metal, Van Halen, Motley Crue. The older I got, my tastes widened. I always felt an attraction to the attitudes of punk; also punk filmmakers, like Richard Kern.
- Mother
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- Nov 07, 2020
I think what I was unconsciously expressing in 'Black Rainbow' was a very abstract and metaphorical grief, in the way I had suppressed my grief about my mother dying. In retrospect I realise I started writing 'Mandy' as a sort of antidote to that, to sort of express those emotions, to purge that grief.
- Black
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- Nov 07, 2020
When I was a kid I wasn't allowed to watch horror movies at all. And actually, one of the genesis points for 'Mandy' and 'Black Rainbow' was this memory I have of being in video stores, reading the backs of videos and looking at the art, imagining some kind of non-existent imaginary film based on that.
- Long
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- Nov 07, 2020
When I was finally allowed to watch horror in my early teens I think I overdid it, I actually ended up generating some kind of low grade PTSD, I was paranoid and scared of our house being broken into. It actually took me a long time to get over that.
- History
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- Nov 07, 2020
I have a long, complicated history with horror.
- Plague
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- Nov 07, 2020
I think making a film is as much knowing what you don't like as what you do like, and avoiding the things that you don't like like the plague and making sure that they never appear onscreen in any shape or form.
- Culture
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- Nov 07, 2020
I try to look at the films as I make them from a distance, in a way. I think of them as kind of pop culture artefacts. I'll often make posters and tag lines as I'm working on them, and not just conceive of them as a story I'm going to tell, but as a whole, a piece - a whole object that exists in the pop culture realm.
- Nov 07, 2020