- Name
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- Nov 07, 2020
Michael Haneke Quotes
Most Famous Michael Haneke Quotes of All Time!
We have created a collection of some of the best michael-haneke quotes so you can read and share anytime with your friends and family. Share our Top 10 Michael Haneke Quotes on Facebook, Twitter, and Pinterest.
- Last Updated on May 30, 2021
- Man
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- Nov 07, 2020
My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man.
- Know
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- Nov 07, 2020
My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him.
- Invisible
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- Nov 07, 2020
As a private person, professionally I am invisible.
- Questions
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- Nov 07, 2020
An artist is someone who should raise questions rather than give answers. I have no message.
- Life
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- Nov 07, 2020
It's unbearable when someone changes around you. Just imagine that your life partner changes, then it is difficult to cope with. Or your mother. Or your father. They were strong and now they're like a baby - it's not so funny.
- Death
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- Nov 07, 2020
Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different.
- Important
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- Nov 07, 2020
Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film.
- People
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- Nov 07, 2020
People expect me to be dark and gloomy, then write that I'm a jolly chap, and after all, that is what I am. I think it's a case of an absolute romantic naivety that there should be a parallel between the work and the artist.
- Dangerous
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- Nov 07, 2020
It's impossible to consider living without ideals. However, when ideas lead to ideology, that's a very dangerous thing. Ideology then leads to creating the image of an enemy, and it leads to the murder and massacre that we've seen since the beginning of time.
- Everyone
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- Nov 07, 2020
Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms.
- Funny
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- Nov 07, 2020
'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.
- Imagination
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- Nov 07, 2020
To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup.
- People
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- Nov 07, 2020
It's harder to write a story with just two people in a room than with 50 characters.
- Freedom
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- Nov 07, 2020
I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have.
- Me
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- Nov 07, 2020
I never suffered from the absence of a father. On the contrary, as a child I was more inclined to see men as a disturbing factor. It made things difficult for me when I started working as a director.
- Problems
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- Nov 07, 2020
I think it's a little simplistic to explain a work through the psychology of its author. In other words, that Haneke has emotional problems, so I don't have to take his films seriously. By using this argument, the viewer retreats from the challenges of the film.
- Children
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- Nov 07, 2020
And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes.
- Best
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- Nov 07, 2020
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
- More
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- Nov 07, 2020
Personally, I can't stand violence. In any standard American mainstream movie, there's 20 times more violence than in any one of my films, so I don't know why those directors aren't asked why they're such specialists for violence.
- Home
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- Nov 07, 2020
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
- Experiments
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- Nov 07, 2020
I consider all my films experiments.
- Attitude
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- Nov 07, 2020
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
- Only
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- Nov 07, 2020
As a European filmmaker, you can not make a genre film seriously. You can only make a parody.
- Experience
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- Nov 07, 2020
Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.
- Feature Film
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- Nov 07, 2020
A feature film is twenty-four lies per second.
- Enough
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- Nov 07, 2020
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
- Make
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- Nov 07, 2020
On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light.
- Must
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- Nov 07, 2020
I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images.
- Assault
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- Nov 07, 2020
All movies assault the viewer in one way or another.
- Good
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- Nov 07, 2020
You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same.
- Entertainment Industry
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- Nov 07, 2020
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
- Love
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- Nov 07, 2020
Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.
- Happy
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- Nov 07, 2020
To be perfectly honest, I think that as I'm growing older, I'm just growing more impatient. I'll be very happy if at some point people say, 'Michael's grown wiser and softer in his old age.' But we'll have to wait and see what my next project is.
- Myself
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- Nov 07, 2020
In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.
- Disease
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- Nov 07, 2020
It's a disease of critics that once they've labeled someone, it's very hard to change their perspective. It's laziness.
- Me
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- Nov 07, 2020
What I like are films that take me seriously, that don't treat me as more stupid than I am.
- Evil
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- Nov 07, 2020