Lynn Nottage Quotes

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Last Updated on May 30, 2021

Like
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Nov 07, 2020

Like Alice Walker and Toni Morrison, I try to balance reality with how we'd like the world to be.

Creatures
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Nov 07, 2020

Ultimately, we're incredibly resilient creatures. People really do get on with the business of living.

Culture
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Nov 07, 2020

Winning the second Pulitzer firmly places me in conversation with this culture.

Know
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Nov 07, 2020

I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless.

Frustration
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Nov 07, 2020

The people sometimes who are closest to us are the ones who bear the brunt of our frustration.

Message
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Nov 07, 2020

There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage.

Playwright
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Nov 07, 2020

I'm a contemporary playwright in a postmodern world.

Family
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Nov 07, 2020

In my family history, there are generations of women who were abandoned by men. It's one of the themes of my family.

Generation
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Nov 07, 2020

'Intimate Apparel' is a lyrical meditation on one woman's loneliness and desire. 'Fabulation' is a very fast-paced play of the MTV generation.

Nov 07, 2020

Who wants to see the same play again? I certainly don't want to write the same play again and again.

Been
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Nov 07, 2020

All of my plays are about people who have been marginalized... erased from the public record.

Love
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Nov 07, 2020

I love my people's history. I feel a huge responsibility to tell the stories of my past and my ancestors' past.

Know
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Nov 07, 2020

I know what I'm trying to say, so I'm always open to learning how to say it.

Artist
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Nov 07, 2020

The act of saying what you do helps shape you as an artist.

More
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Nov 07, 2020

My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters.

Long
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Nov 07, 2020

The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long.

Life
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Nov 07, 2020

There was no way I was going to write about Africa and not include the triumphant continuity of life that had also been part of my experience there. It's not just war and famine all the time.

Great
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Nov 07, 2020

Saying, 'I'm going to create jobs' is great, but before you create jobs, something has to be offered to alleviate some of the suffering now.

Borders
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Nov 07, 2020

American audiences very rarely deal with material outside their borders.

Happening
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Nov 07, 2020

Even in Congo, where conflicts are happening, people have births, weddings, deaths, and celebrations.

Need
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Nov 07, 2020

We need to diversify the people who are backstage and producing and marketing these shows. It's the limitations of these people that are holding Broadway back.

Conversation
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Nov 07, 2020

I always describe race as the final taboo in American theatre. There's a real reluctance to have that conversation in an open, honest way on the stage.

Nov 07, 2020

There is an enduring feeling that women can write domestic dramas but don't have the muscularity or the vision to write state-of-the-nation narratives.

Go
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Nov 07, 2020

What I often do when I'm writing, if I can't find that story, I go out and I hunt for it.

Being
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Nov 07, 2020

Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs.

People
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Nov 07, 2020

Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.

People
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Nov 07, 2020

I'm always hyperaware of the way in which working people are portrayed on the stage.

Anomaly
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Nov 07, 2020

'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.'

New
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Nov 07, 2020

It's very easy, when we're reading those articles on the 20th page of 'The New York Times,' to distance ourselves and say, 'It's someone else.'

Schizophrenic
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Nov 07, 2020

I'm a schizophrenic writer.

Nov 07, 2020

I need a release from whatever I'm writing.

Nov 07, 2020

I always thought of my mother as a warrior woman, and I became interested in pursuing stories of women who invent lives in order to survive.

Kitchen
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Nov 07, 2020

My interest in theatre and storytelling began in my mother's kitchen. It was a meeting place for my mother's large circle of friends.

Play
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Nov 07, 2020

Each play I write has its own unique origin story.

Dinner Party
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Nov 07, 2020

I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination.

Nov 07, 2020

If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that.

Home
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Nov 07, 2020

I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway.

Know
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Nov 07, 2020

I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'

Go
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Nov 07, 2020

African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently.

Ensure
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Nov 07, 2020

In the business of war, the role of women is really to maintain normalcy and ensure that there is cultural continuity.

I Am
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Nov 07, 2020

I am interested in people living in the margins of society, and I do have a mission to tell the stories of women of colour in particular. I feel we've been present throughout history, but our voices have been neglected.

Economics
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Nov 07, 2020

Plays are getting smaller and smaller, not because playwrights minds are shrinking but because of the economics.

Moment
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Nov 07, 2020

I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fire.

Life
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Nov 07, 2020

I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze.

Nov 07, 2020

In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way.

Human
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Nov 07, 2020

There's never any ebb in human misery.

Hobby
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Nov 07, 2020

My hobby is raising my children.

Fears
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Nov 07, 2020

By the time I reached 50, I'd accumulated many unresolved fears and desires.

Growing Up
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Nov 07, 2020

Growing up in New York City, I'd flirted with the idea of driving, but between the subway and the sidewalks, I'd never needed to learn.

I Am
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Nov 07, 2020

I am a Tony voter; it is an honor that I take seriously. Each season, I enter the process with a degree of enthusiasm and optimism, which dissipates as I slowly plow through show after show.

Closed
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Nov 07, 2020

Broadway is a closed ecosystem.

Conversation
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Nov 07, 2020

If the Tony Awards want to remain relevant in the American theater conversation, then they need to embrace the true diversity of voices that populate the American theater.

Economic
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Nov 07, 2020

I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative.

Down
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Nov 07, 2020

A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.'

Looking
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Nov 07, 2020

I teach at Columbia, and I'm always looking for books I can lose myself in during the 45 minutes I'm on the train.

Gender
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Nov 07, 2020

I would like there to be gender equity. I would like the Broadway season to reflect sort of the demographic of the country.

Forward
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Nov 07, 2020

Women are standing up and leaning forward and asserting their power.

Like
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Nov 07, 2020

I like to go into a space, listen, absorb, and then interpret.

Fighting
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Nov 07, 2020

When you're fighting for an increasingly smaller portion of the pie, you turn against each other; you create reasons to hate each other.

Become
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Nov 07, 2020

I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them.

Beyond
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Nov 07, 2020

It's incumbent on us to reach beyond the confines of the institutions that traditionally produce art and find new ways to get it to the people.

Nov 07, 2020

It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway.

Our
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Nov 07, 2020

We use metaphors to express our own truths.

People
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Nov 07, 2020

The presence of a bed changes the way people interact.

Black
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Nov 07, 2020

When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes.

Me
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Nov 07, 2020

For me, playwriting is sharing my experiences, telling my stories.

Myself
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Nov 07, 2020

I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays.

Long
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Nov 07, 2020

My parents are avid consumers of art, collectors of African American paintings, and have always gone to the theater. My mother has always been an activist, too. As long as I can remember, we were marching in lines.

Good
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Nov 07, 2020

For me, the first thing is to tell a good story.

Nov 07, 2020

The stage is the last bastion of segregation.

Nov 07, 2020

The theatre should reflect America as it's lived in today. And that is a multicultural America.

Lines
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Nov 07, 2020

It's very important for me to have dialogues across racial lines.

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