- Dance
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- Nov 07, 2020
Bryce Dessner Quotes
Most Famous Bryce Dessner Quotes of All Time!
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- Last Updated on May 30, 2021
- Important
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- Nov 07, 2020
When working with classical musicians, it is important to be clear as possible in the score about what my intentions are. Because there isn't a lot of rehearsal time, especially at the ballet, it's best if everything is written in the score.
- Collaborating
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- Nov 07, 2020
Part of what I enjoy about writing classical music is communicating through the score and collaborating with such amazing musicians.
- More
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- Nov 07, 2020
We've played in places where there were more of us onstage than in the audience.
- Great
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- Nov 07, 2020
For me, the exhausting thing about touring is the sitting around, which is why working on my concert music is really great - and also seeing concerts and seeing friends and, whenever possible, getting out to see a museum.
- Music
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- Nov 07, 2020
For a composer of concert music, 40 is actually very young. But for a rock musician, 40 is almost past due, where you think of rock music as really part of more youth-oriented culture.
- Dead
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- Nov 07, 2020
There are all kind of corners of the musical world that are deeply influenced by the Dead that one wouldn't expect. Lee Ranaldo is a crazy Deadhead.
- Education
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- Nov 07, 2020
I've got this diverse education, growing up in classical music and existing between that and music that is more visceral, so for sure, I've always been interested in music from other cultures.
- Nov 07, 2020
I'm not trying to take over the world, but I find it really rewarding to write, and I thrive on learning.
- Grow
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- Nov 07, 2020
We've gotten better as a live band. The songs have been allowed to grow with our audience. I don't think I would have done it any other way.
- Me
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- Nov 07, 2020
To me, a song like 'Demons' or the title 'Trouble Will Find Me' are acknowledgments that you can't really plan for life, and you can't plan for trouble.
- Good Thing
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- Nov 07, 2020
In terms of the music, it feels almost like trouble's a good thing - you never know when a song is going to surprise you. We look for these subversive moments in songs.
- Nobody
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- Nov 07, 2020
I think that becoming a successful rock band is a little like becoming a professional athlete. Nobody plans on it.
- Path
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- Nov 07, 2020
Being a classical musician, you can go to school for it; you can go get a degree. Even as a composer, there is a certain career path you can follow, but becoming a rock musician is a much more elusive career. How do you learn that or do that?
- Contemporary Music
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- Nov 07, 2020
There is a kind of adventure- and risk-seeking audience in classical contemporary music that is really empowering and part of what draws me to it. The people that come to these concerts are open-minded and curious.
- More
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- Nov 07, 2020
I think that place is a huge part of pretty much any musician's work, in how one responds to an environment, whether it be your actual surroundings or the more figurative place we're all living in.
- New
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- Nov 07, 2020
Inviting artists to do something, you want it to be a place where they're going to feel challenged and excited and that will maybe open up some new doorway in their own lives or their own creative practice.
- Life
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- Nov 07, 2020
Art is a way of life.
- Love
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- Nov 07, 2020
As a band gets more successful, there's a danger of falling in love with your own shadow.
- Living
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- Nov 07, 2020
I came from a classical background, and I was teaching and earning a living out of music at a certain level, so it's funny to make it as a rock star when we're 40 or whatever.
- Dark
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- Nov 07, 2020
We all contribute to The National, and it's like a familiar family. Matt is dad, Brian's like the dark horse uncle, Scott's the long-suffering mum, and Aaron and I are the bratty twins.
- Music
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- Nov 07, 2020
If you make rock music with guitars in it, the Radiohead comparison is inevitable.
- Born
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- Nov 07, 2020
My grandmother was born in Russia, and she came through Poland on her way to America in the early 20s. She moved to Brooklyn.
- Guitar
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- Nov 07, 2020
I studied classical guitar in school, and that type of stuff has led to writing for Kronos.
- Guy
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- Nov 07, 2020
David Harrington, who's the violinist and founder of Kronos, is a super open-minded and adventurous guy.
- Graduate School
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- Nov 07, 2020
My background in music is classical - I did graduate school in music. At that time, I was studying composition, but I was studying classical guitar very seriously.
- Music
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- Nov 07, 2020
For many people in the music conservatory world, the message was always, Focus! 'You can't do everything; you really need to specialize.' And especially at an early age, I ignored this advice.
- Guitar
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- Nov 07, 2020
I've always been in rock bands. I was in a rock band with my brother in high school. Then I was playing classical guitar recitals, and people said, 'You know, you can't really do both things.' My intuition told me they were wrong. Somehow, what was interesting about me was that I had those two things in my life.
- DNA
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- Nov 07, 2020
Early on, I was a performer playing classical music. It's in my DNA in a way that I can't begin to extract it.
- Brother
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- Nov 07, 2020
Me, who's educated classically, I went toward rock music 'cause it was sort of a natural evolution from where I was playing with my brother. But I was always drawn back into classical music.
- Music
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- Nov 07, 2020
When I'm writing instrumental music, I try to find musical and non-musical inspirations.
- Guitar
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- Nov 07, 2020
I don't labour over my lead guitar solos; they're better just caught in the moment.
- Heart
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- Nov 07, 2020
We always say that National songs have to have a heart, that we don't make cold songs.
- He
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- Nov 07, 2020
If you learn classical guitar, you play Bach, and then John Dowland. He's the greatest. He's interesting for many, many reasons.
- More
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- Nov 07, 2020
There is much more immediate access to creative music through online communities and blogs which have touched all corners of the music world including contemporary classical.
- Make
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- Nov 07, 2020
With 'Boxer,' we made the kind of music we wanted to make and didn't really worry about what the expectation was.
- Look
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- Nov 07, 2020
You don't come to our shows if you want to look cool.
- Great
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- Nov 07, 2020
I can't just play in a rock band. The National is a great, exciting band to play in. We improvise a lot onstage, and it's very intense, but after a while, I crave other kinds of experiences.
- Music
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- Nov 07, 2020
Musicians are hungry for new music.
- People
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- Nov 07, 2020
A lot of people ask how I ended up doing classical music given that I'm in a rock band. The truth is that it's the other way around. I was trained as a classical musician and then started playing in a rock band later.
- Experience
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- Nov 07, 2020
Obviously, any living musician born after 1960 has been touched by rock and roll. It's the music of our time, and it's 'in the air,' as Steve Reich would say. My experience of it is just really direct because I'm actually playing in a collaborative band.
- Musical
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- Nov 07, 2020
I like to think of myself as a musical scavenger.
- Live
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- Nov 07, 2020
David Harrington asked me to write a piece for Kronos Quartet for a performance in Prospect Park, Brooklyn. I live just two blocks from the park and spend many mornings running around it. The park for me symbolizes much of what I love about New York, especially the stunning diversity of Brooklyn with its myriad cultures and communities.
- Imagination
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- Nov 07, 2020
As little boys, my brother and I used to spend hours with my grandmother, asking her about the details of how she came to America. She could only give us a smattering of details, but they all found their way into our collective imagination, eventually becoming a part of our own cultural identity and connection to the past.
- Love
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- Nov 07, 2020
The danger of a rock band is repeating oneself. It's our greatest fear - that it evolves into the myopia of a semi-successful band that's in love with its own shadow.
- Doors
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- Nov 07, 2020
Bands like Arcade Fire finding a larger audience has opened a lot of doors. They've empowered a whole community in Montreal.
- Grateful
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- Nov 07, 2020
When we learned to play in bands, what we were covering was equal part the Velvet Underground and the Grateful Dead. That would defy the logic that somehow these things don't fit in the same musical well.
- Like
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- Nov 07, 2020
When I'm scoring something like a string quartet, it's all notated music, so it's meticulously written in the score, which is very different than doing things by ear.
- History
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- Nov 07, 2020
When I'm writing for certain instruments, you want to write within what you know about that instrument but also challenge the player. Something like 'Aheym' is very virtuosic - but because I have a history of performing music, I don't like unplayable music.
- Me
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- Nov 07, 2020
There is a reactionary conservative side of classical music, which is not the most exciting side of it. The side that draws me in, there's a real encouragement of risk-taking, going back to masters of that tradition like Beethoven and Bartok and Stravinsky.
- Most
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- Nov 07, 2020
The thing I realised about composition is, we remember most composers for four bars of music. Four singable bars of music. Pretty much any major composer from Debussy to Ravel to Mozart to whoever else - you can kind of hum it.
- Ideas
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- Nov 07, 2020
As a pop musician, as someone who makes songs, the best ideas are the simplest. They come, and that's the lightning bolt moment.
- Inspiration
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- Nov 07, 2020
It doesn't necessarily take four years to write a good piece of music. It might take four hours. It just depends on when your inspiration comes.
- Like
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- Nov 07, 2020